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500 Poses for Photographing Brides: A Visual Sourcebook for Professional Digital Wedding Photographers

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Determining the best way to pose a subject—a way that is simultaneously flattering, appropriate, and visually appealing—can be one of the biggest challenges in designing a successful portrait. This is especially true when creating portraits of brides, where the photographer may be called on to create anything from a very traditional head-andshoulders pose to a more adventurous full-length look straight out of the pages of a fashion magazine. Quite simply, the variations are almost limitless—as is the pressure to perform flawlessly throughout this once-in-a-lifetime event.

This collection is a visual sourcebook designed to address exactly that problem. Filled with images by some of the world’s most accomplished wedding photographers, it provides a resource for professionals seeking inspiration for their own work. Stuck on what to do with a particular bride or unsure how to make use of a location? Flip through the sample portraits, pick something you like, then adapt it as needed to suit your tastes. Looking to spice up your work with some new poses? Find a sample that appeals to you and look for ways to implement it (or some element of it) with one of your brides.

For ease of use, the portraits are grouped according to how much of the subject is shown in the frame. Thus, the book begins with head-and-shoulders portraits. Next are waist-up portraits, featuring images that include the head and shoulders, arms and hands, and at least some of the subject’s torso.Moving on to three-quarter-length portraits, the examples feature subjects shown from the head down to mid-thigh or mid-calf. The balance of the book features fulllength images—the most complex portraits to pose because they include the entire body. Both the three-quarter- and full-length portraits are additionally subdivided into poses for standing subjects, seated subjects, and reclining subjects.

As much as possible, images are also grouped thematically to demonstrate poses for photographing the bride with her bouquet, displaying her rings, showing the back of the dress, etc. In these subgroupings, it becomes particularly obvious how even subtle posing changes can completely transform an image—and how differently photographers can approach the creative process of posing.

It can be difficult to remain creative day after day, year after year, but sometimes all you need to break through a slump is a little spark. In this book, you’ll find a plethora of images designed to provide just that.

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