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Pro Tools for Music Production, Second Edition: Recording, Editing and Mixing

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If you are a music producer, recording engineer, musician, or composer there is definitely something in this book for you. If you are about to purchase new equipment, wish to troubleshoot technical problems, need guidance on how to achieve professional sounding results, or are looking for inspiration for new ideas - keep this book by your side. Fully illustrated in color throughout with screen grabs demonstrating step-by-step examples packed with helpful tips and notes, this book will enhance your understanding of the system. Mike Collins is Technical Consultant to the Music Producers Guild (MPG) contributing to the Education Group and organizing technical seminars. For several years Mike has operated a Pro Tools project studio and has been involved in everything from dance remixes, to TV ads, background and featured music for TV and video, album editing and compilation and recording jazz. Mike offers consultancy, troubleshooting and personal tuition to other professionals with Pro Tools-based project studios as well as seminars on Music Technology, Pro Tools and other music software. He has written over 500 articles for audio, music technology and computer magazines and advises on college education programs. Mike’s wide-ranging career and experience enables him to bring excellent insight from all sides into his writing, from technical detail to creative expression. Starting out as a musician and club DJ, Mike soon moved into professional recording working for EMI and other music companies. He has worked as a songwriter, Film Sound Consultant for Dolby Labs, produced TV recordings and was Senior Recording Engineer and Music Technology Specialist for Yamaha. He has also been a MIDI programmer working on records, films and music tours with bands such as the Shamen and well-known film composers such as Ryuichi Sakamoto. He has worked on CD-ROM projects for Apple and Canon and set up a programming and editing website for the Guild of Record Producers and Engineers. He has a BSc in Electroacoustics and an MSc in Music Information Technology.

About the Author

Mike Collins is a music technology consultant and writer who has been making music in London's recording studios variously as a MIDI programmer, session musician, recording engineer, producer and arranger since 1981. He offers freelance Pro Tools engineering, consultancy, troubleshooting and personal tuition, as well as presenting seminars and lectures on related music technology and audio recording topics. Mike has written over 500 articles for magazines such as Macworld (UK), Pro Sound News Europe, Sound on Sound and AudioMedia, and for Electronic Musician and MIX in the USA.

Mike's wide-ranging career and experience enables him to bring excellent insight from all sides into his writing, from technical detail to creative expression. Starting out as a musician and club DJ in the 1970's, Mike moved into professional recording in the 1980's, initially as a Songwriter/Producer for EMI Records. Later he worked as a Songwriter for Chappell Music; as a Film Sound Consultant for Dolby Labs; as a Music Producer for TV recordings; and as Senior Recording Engineer and Music Technology Specialist at Yamaha's London R & D Studio. Throughout the 1990's Mike worked as a MIDI Programmer on records, films and music tours with bands such as the Shamen and film composers such as Ryuichi Sakamoto and David Arnold. Mike was Executive Consultant to Re-Pro (The Guild of Record Producers and Engineers) between 1996 and 1999 and Technical Consultant to the Music Producers Guild (MPG), contributing to the Education Group and organising and presenting Technical Seminars between 1999 and 2002. He has a BSc in Electroacoustics and an MSc in Music Information Technology.

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