|
|
|
|
| | Dreaming About the Divine (S U N Y Series in Dream Studies)Explores the role of dreams in spiritual work.
In Dreaming about the Divine, Bonnelle Lewis Strickling argues that people dream about the divine in forms that fit their current emotional and spiritual condition. Using Jungian psychology and the philosophy of Karl Jaspers, Strickling contends that dreams... | | Rationalization in Religions: Judaism, Christianity and Islam
Current tendencies in religious studies and theology show a growing interest for the interchange between religions and the cultures of rationalization surrounding them. The studies published in this volume, based on the international conferences of both the Berlin-Brandenburgische Akademie der Wissenschaften and the Israel Academy of Sciences... |
|
Milton's Angels: The Early-Modern Imagination
Milton's Paradise Lost, the most eloquent, most intellectually daring, most learned, and most sublime poem in the English language, is a poem about angels. It is told by and of angels; it relies upon their conflicts, communications, and miscommunications. They are the creatures of Milton's narrative, through which he sets the... | | Theology and Urban Sustainability (SpringerBriefs in Geography)
Even though theology does provide interesting and important contributions to ethics that laid the foundation of our modern societies, this book looks at exploring how theology has impacted on urban morphology and has led to questionable unsustainable practices which impacts on both climate and societal living standards. This is seen as being... | | Newman and the Alexandrian Fathers: Shaping Doctrine in Nineteenth-Century EnglandJohn Henry (later Cardinal) Newman is generally known to have been devoted to reading the Church Fathers. In this volume, Benjamin King draws on archive as well as published material to explore how Newman interpreted specific Fathers at different periods of his life. King draws connections between the Alexandrian Fathers Newman was reading and the... |
|
|
|
|
Result Page: 5 4 3 2 1 |